She began her career at Electronic Arts, where she contributed to early 16-bit titles, including Desert Strike and Michael Jordan: Chaos in the Windy City. Prior to joining Naughty Dog, she served as the Writer and Director of the groundbreaking Soul Reaver / Legacy of Kain series over eight years at Crystal Dynamics. This followed a decade at Naughty Dog as the Creative Director and Lead Writer of Sony Computer Entertainment’s award-winning Uncharted game series. Most recently, Amy served as a Senior Creative Director at Electronic Arts, where she oversaw development of Visceral Games’ Star Wars title. He couldn’t have been cooler, man.Over her 30-year career in the interactive entertainment industry, Amy Hennig has worked as an artist, animator, game designer, and most notably in the last two decades, an acclaimed writer and director. … I mean, what a compliment coming from Steve Perry.
“He was like, ‘Man, I wish I had you guys back in the day when we released this song because this is what I wanted the song to sound like. “He was like, ‘How did you guys do this?’” the Alloy Tracks founder recalled. One of his favorite things now in his career is hearing these songs that he wrote decades ago get new life and be brought to new generations and new demographics through things like Stranger Things.”Īccording to MacCubbin, Perry was especially impressed by how they were able to isolate his vocals parts. It was really cool to work with him and he had some really nice things to say.
“He wanted the vocals to be brought out a little bit more in some places and just a refinement of some details. “He had some specific mixing notes,” composer Bryce Miller noted, explaining how Perry influenced the final version heard in the trailer. Perry had heard a demo version and was so enthusiastic about the new reinterpretation of the song that he became actively involved in the creative process.
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